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John Doe No. 1 IV season. Mauro Rostagno

The story: I looked good (even around corners) but I've found. Want to talk about God and a pantheon of contemporary original and intelligent manner? I highly recommend reading Neil Gaiman and Alan Moore of Constantine. Or, at most, you usually start to "Bruce Almighty" with Jim Carrey.
the assumptions and references to the management Eura : Even poor John (like us) has a crazy nostalgia of the second season (the most successful), when he was the embodiment of death. The rest does not matter a damn.
Drawings: Torti has a very good job in hand. Perhaps the quality drops a bit in the last tables.

The cover: Splendida. And that number 2 is even better. I look forward to the Golden publish the booklet that will collect all the covers of the "new" fourth season.
Special features: Okke one can write all referring to the movie or that book or that game. But we are confident that close with the Marchese del Grillo Monicelli is good for the economy of the story? I mean, I'll explain: we see a poor idiot for 90 pages explaining and explaining that he created the universe does not matter a fuck, and then the last table we see the same idiot that no reason has a sort of unjustified and unjustifiable outburst of pride and shows (as well) the middle finger to the reader. Mah


Overall Rating: see what happens with the number 2

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-How I did it (2) Mauro Rostagno

Tav 42

2.

zoom out again, we see the procession in front of the Vigorelli, the mass of people behind the banner. pp In the left attached to a wall a poster of the concert. Mauro the center of the spun toward the voiceover (right).

Voiceover: Beware! the cops!

Dida: 'Cause I love you, baby, How I love you, darling, How I love you, baby, How I love you, girl, little girl.

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-How I did it (1)

Tav 10

Three horizontal cartoons.

Period 1966

Morning, interior bedroom of a dilapidated house.

1.

close-in detail on the eyes of Mauro closed.

Voiceover: Mauro Mauro ... ... wake

2.

Zoom out: on a bed a tired and sweaty Mauro, unclothed and covered only with a sheet crumpled in the private parts, is opening his eyes, next to him Silvia. On the left, next to the bed side Mauro, Renato Curcio (dressed in his usual military-style jacket and trousers and boots) is opening a window, from which the light, a door is based only on the pin below. It's raining outside. From the window you see a light pole near which it is bound, approximately, an electric wire that is straight toward us. Around the bed clothes and books stacked everywhere. Bedside Mauro side there are the glasses and a candle. Silvia side there is a bedside basket apples. A poster of the movement 26 de Julo as bedside. A chair with a shirt on the back.

(red parts: a few books, some clothes, apples in basket, the shirt on the back of the chair, poster)

Renato: Then it's late, we can expect in faculty!

Mauro: Good morning to you too Curcio!

3.

Zoom out: we left the room door through which we still see the bed. Mauro, seated, is put on his glasses, Silvia is biting into an apple. On the wall right out the door we see a mural which is painted on Renato without a shoulder, the middle and Paolo Mauro .

The thread of light that we saw in the vignette above, achieves a bulb hanging from the roof, right in front of us on the left of the door. Renato has just left the room and going out with a small switch wire. The wall to the left, a library packed with various texts, including Guevara, Regis Debray, Mao and manuals Maya and Aztecs. Among the items library in some Berbers and Aztec statues. Even here there are apples and other fruits.

Mauro, Silvia, throw me an apple?

Dida, bottom right: ... November 3, 1966